Background

Sun Tsui Feng is one of the most prestigious Taiwanese Opera artists in Taiwan. The troupe to which she belongs, Ming Hwa Yuan Arts and Cultural Group, is also one of the most prominent traditional opera troupes. Exploring Sun Tsui Feng’s career path as a Taiwanese Opera artist and the development of this long-standing troupe, Ming Hwa Yuan, would be a great way to understand the beauty and sorrow of the Taiwanese Opera industry.

Sun Tsui Feng's parents were both Taiwanese Opera performers, and she was born on December 19, 1958. However, due to their concern for her, her parents did not want her to be connected with this demanding occupation. She didn't learn how to speak Taiwanese until she was 26 years old. At the beginning, she worked in the office and was considered a woman on the cutting edge of popularity. However, her life took a dramatic turn after falling in love with Chen Sheng-Fu in 1982, getting married, and joining the big family of Ming Hwa Yuan, a Taiwanese Opera troupe. Impressed by the experience of performing on stage, she found her motivation to learn and eventually became a Taiwanese Opera performer. Starting late in her career as a Taiwanese Opera actor, Sun Tsui Feng faced a challenging journey to professionalism. Overcoming numerous obstacles and putting in tremendous effort, she succeeded in making her dream come true. Through our interview with her, we discovered that Sun Tsui Feng is a resilient woman who never gives up. She continuously ventures beyond her comfort zone and attempts things she has never done before. Despite the challenges she encounters, she maintains a positive and hopeful attitude, seizing every opportunity that comes her way.

Three Years Under the Stage

Chen Sheng-Fu and Sun Tsui Feng

After joining the big Ming Hwa Yuan family, Sun Tsui Feng changed a lot. At first, because of her background, she was very resistant to Taiwanese Opera. She preferred to be a stylish office woman rather than a busy, poor actress. Ming Hwa Yuan was an old and big troupe; all the family members were workers of it. At that time, there were only four people who could sit under the stage and watch the shows: Chen Sheng-Fu, his parents, and Sun Tsui Feng. She felt grateful for her husband’s parents to accept her as a daughter-in-law who didn’t know how to act in Taiwanese Opera. She said, “Other women that come to our family would go on the stage the day right after the wedding, but only my husband could marry a wife that doesn’t know a bit about Taiwanese Opera. I’m thankful that my parents-in-law could also see me as a part of the family, regardless of my ability of performing.” She also felt apart from the family, looking at other people on stage working hard to earn money and promoting Taiwanese Opera, but she could only sit and watch the show. Sun Tsui Feng is a strong-minded woman with great ambition, but in the troupe, she couldn’t do anything. She wanted to oblige her parents-in-law and do something for the family; this opened her unique way to becoming a professional performer.

Stepping onto the Stage 1984

Ms. Sun went on stage when she was 26 years old; she started to act in some minor roles in Taiwanese Opera. Mr. Sun said she could feel suffering and pain after participating in basic skills. She kept trying and working hard. She still loved to act in Taiwanese Opera and enjoyed being a Taiwanese Opera actor and participating in Taiwanese Opera. Also, Ms. Sun has congenital heart disease, so she needs to spend more time than other Taiwanese Opera performers to learn these martial arts. She could not learn as fast as other young actors, so she could only spend more time practicing.

At first, Ms. Sun had no idea how to act in Taiwanese Opera; she didn’t even know how to speak Taiwanese. Even so, she still wanted to try by taking the minor roles including those without a line. Three years later, she realized that she loved to act in Taiwanese Opera and decided to devote herself to this cultural heritage. At that time, she was almost 30 years old. In order to be able to play the leading roles, she went through painful practices, but she didn’t give up. She kept trying, taking notes, and took the plunge of taking other supporting roles when she had the opportunities.

E.a. Sun Tsui Feng played a female
role in 1986.

First Appearance As the Female Lead 1986

In this performance, Sun Tsui Feng portrayed the lead character, Li Cuilian. She made her stage debut, but she quickly rose to fame and started to shine as a new star. Since then, Sun Tsui Feng has also grown more and more brilliant as Ming Hwa Yuan has been performing in many locations. Sun Tsui Feng's status as the leader of a niche has increased dramatically. The photo depicts Sun Tsui Feng's early acting appearance as the female leading role. At the time, she was approximately 26 years old.

Official Debut As a Male Lead 1989

The momentous event in her career was when she debuted as a main lead because of an “accident” like she shared with us when we interviewed her. Her effort was evident after she performed in the show 'The Grand Immortal of Peng-Lai' at National Taiwan University. On the day of the performance, the actress who played the male lead had a last-minute emergency and couldn’t show up. However, there was no one in the troupe who could take her place. The show couldn’t go on without the male lead! Seeing the opportunity, Ms. Sun decided to take the plunge. She volunteered to take the place, but people weren't sure if she could assume such an important role and responsibility. However, she knew she was ready and prepared. She always took notes while others were performing because she aspired to perform as the main lead. When the chance came, she knew exactly what to do and took it. No one noticed that she wasn’t the usual performer. The professors and students were impressed. This marked the beginning of her career as the main male leading character. Since then, she has tried to perform all kinds of characters and moved out of her comfort zone to embrace new challenges.

The Grand Immortal of Peng-Lai
The Grand Immortal of Peng-Lai

The Invincible "Male Lead"

Ms. Sun is now a famous Taiwanese Opera artist who can portray every role in the genre. Initially, Ms. Sun worked diligently to perform as the male lead. Subsequently, she transitioned to portraying the female lead. Eventually, she relinquished the male lead roles to younger actors and courageously assumed the role of the jester. Ms. Sun inadvertently assisted the entire Ming Hwa Yuan group when she stepped in as the main character, Li Xuan. Following that, she continued to explore various roles in Taiwanese Opera. She stated, “Especially for a theater troupe like ours, which relies on opera for a living, we have to be proficient in all roles because we never know which one we'll be assigned to at any given time, sometimes having to step in as a last-minute understudy." In "The Lion King," she actively sought the opportunity to transition from playing the handsome "male lead" to embracing the challenge of portraying a "painted face" character for the first time. Additionally, in Ming Hwa Yuan’s grand show, "Legend of White Snake," she portrays the female lead, the white snake. She has attempted every role, and in the production "Final Bow," she portrayed Bao Gon, an official well-known for justice, a role typically associated with male actors. Ms. Sun can adeptly play various roles in Taiwanese Opera. She believes that satisfaction does not solely lie in playing the male lead; she endeavors in every aspect, which is one of the reasons for her fame.

Ms. Sun is willing to step outside her comfort zone.
Legend of White Snake
Passing the torch, Ms. Sun acted as the jester and her daughter the male lead
Painted face in the Lion King

Chief Pillar of Ming Hua Yuan

Public Service and Charity

You might think that Sun Tsui Feng is just a Taiwanese Opera actress, but she is much more than that. In 2010, Miss Sun helped the government by organizing a public welfare promotion event to inform citizens about protection against Swine Flu; she also shot an advertising video that served the same purpose.

In 2013, Sun Tsui Feng went to Africa to help raise awareness of poverty. Through the promotion of education and poverty alleviation, the "Wish Africa・Grateful Journey" train comes to Taiwan every year to raise charity funds for three thousand orphans and the huge project costs. Not only that, she has also done many more things for the world.

With African kids
Charity performance in Africa

In 2017, to promote the prohibition of straw burning and garbage classification to farmers, the country's government invited Ms. Sun and the famous Taiwanese Opera actress Miss Chen Ling to perform as two Taiwanese Opera characters, Liang Shanbo and Zhu Yingtai, to encourage their fellow villagers and farmers to stop burning straws, thus preventing the next generation from suffering the effects of straw burning and promoting garbage classification. In addition to proper garbage classification, burning straw affects the air environment and traffic safety, which is detrimental to the country.

Ms. Sun often gives lectures at various campuses and clubs, and even visits hospitals and prisons to spread the beauty of Taiwanese Opera through charity performances. One time, Ms. Sun went to a prison to perform a show for the prisoners. Three years after the performance, the warden suddenly visited the theater troupe and said that one of the prisoners who had seen the play had excitedly written a letter home and asked the warden to pass it on. After inquiring, he found out that the prisoner was originally from a wealthy family. However, he committed a crime and was sent to jail. After being imprisoned, he refused to allow his parents to visit and blamed his parents' overly indulgent upbringing for his situation. His parents were so distraught that they emigrated abroad and were never heard from again. Later, with the help of the warden, the letter was forwarded, and as a result, his parents returned to Taiwan with their family and bought a house near the prison, stating that they would wait until the day their son was freed. All of these stories demonstrate how Ms. Sun is not just a Taiwanese Opera performer; she is a kind-hearted person who goes out of her way to help and brings smiles to people's faces.

Acknowledgment and Awards

★ Ten Outstanding Young Persons

Sun Tsui Feng was awarded this accolade in 1996, marking the 34th year since its inception. She was recognized as the 'pillar' of Ming Hwa Yuan, significantly contributing to the enduring popularity of the troupe. Despite the waning popularity of Taiwanese Opera, Sun Tsui Feng's continued efforts in its promotion and innovation have sustained interest in the art form.

★ The 16th Most Outstanding Asian Artists

In 1997, Sun Tsui Feng received this honor, marking the 16th year of the award's presentation. Her acclaimed performances in television series such as 'The Pearl Phoenix' and shows like 'Legend of White Snake' and 'Grand Immortal of Penglai' garnered recognition. Additionally, her portrayal of male leads in Taiwanese Opera productions for Ming Hwa Yuan contributed to her selection.

★ Art and Education Contribution Award

Winning the Award

In 2020, Sun Tsui Feng was bestowed with this award, which was in its 7th year. She was chosen for her dedication to advocating and preserving the heritage of Taiwanese Opera. Sun Tsui Feng has actively engaged in teaching young people the intricacies of Taiwanese Opera, including hand gestures and vocal techniques. Furthermore, she has extended her philanthropic efforts to support orphans and disadvantaged children, both locally and internationally. Her initiatives include fundraising for AIDS orphanages and war-affected children's care centers in Africa. Through her endeavors, she has brought awareness of Taiwanese Opera to millions worldwide, leaving an indelible mark on 371 locations in Taiwan and 65 cities abroad."

Min Hua Yuan
A Ming Hwa Yuan performance

Ming Hua Yuan is a Taiwanese Opera troupe that was co-founded in 1929 by Cheng Ming-Ji and a theater owner. Over four generations, the family has participated in writing, directing, and performing opera, dedicating themselves to preserving Taiwan's native theatrical art form, making it the largest opera troupe in Taiwan. The second-generation chief troupe leader, Cheng Sheng-Fu, reorganized Ming Hua Yuan, and the chief choreographer and director, Cheng Sheng-Guo, named the eight sub-troupes "Tiān, Dì, Xuán, Huáng, Rì, Yuè, Xīng, Chén,” in Chinese. They are like “Heaven, Earth, Black, Yellow, Sun, Moon, Star, and Star” when being translated in English. referred from Book of Changes, a Chinese divination handbook back in the Western Zhou period. Currently, Chen Chiao-Hsian, the second daughter of the former leader, is the head of the troupe.

Keeping the Pace with the Times

More and more entertainment is emerging, such as television and social media. Ming Hwa Yuan has also adapted Taiwanese Opera to these changes. They have aired performances on television and transformed comic books into Taiwanese Opera, aiming to introduce this cultural heritage to a wider audience. Cheng Sheng-Fu, the previous CEO of Ming Hwa Yuan Troupe and husband of Sun Tsui Feng, initiated Ming Hwa Yuan’s Three Industrial Revolutions in Taiwanese Opera upon assuming office.

Playwriting and Directing System

Initially, he innovated traditional theatrical forms, breaking the established framework and attracting new audiences, including those who previously had no interest in theater, thereby rejuvenating the audience base. By introducing the director system and incorporating modern theater and film technology, as well as reforming traditional civil and military settings.

Director at work
During shooting
Innovative setting
To bring the setting to life, Sun Tsui Feng flew midair with harness,
spraying water to the audience as if it was raining.

Broadening the Horizon

The second revolution occurred when he expanded the scope, revitalizing the struggling Taiwanese opera scene and restoring both audience engagement and industry colleagues' confidence. He introduced Chinese orchestras to Taiwanese Opera. Now nearly all traditional dramas are now accompanied by Chinese orchestras. This has also provided additional opportunities for Chinese music graduates annually.

Incorporating Chinese Orchestra
Incorporating Chinese Orchestra

Global Recognition

The third revolution is currently underway, aiming to establish an exclusive performance venue for Chen Chiao-Hsian, current CEO of Ming Hwa Yuan. This initiative seeks to offer domestic audiences and foreign tourists a glimpse into Taiwan's local culture.

"Mazu" outdoor performance
Master of Sword-Lu Dong Bin outdoor performance
Spread the Seeds

Regularly performing abroad, Sun Tsui Feng and Ming Hwa Yuan, one of Taiwan's most representative theater troupes, have brought the sounds of Taiwan to countries such as Japan, Singapore, Austria, the Czech Republic, France, Germany, Great Britain, the Netherlands, the United States, and South Africa for over three decades. Their efforts have made a significant contribution to the preservation and promotion of Taiwanese Opera.

Feng Shen Bao Bao
Children's Troupe
Chen Chiao-Hsian

After Chen Ming-Chi established Ming Hwa Yuan Arts and Culture Group, Ms. Sun’s daughter, Chen Chiao-Hsian followed her grandfather’s step and founded Feng Shen Bao Bao Children’s Troupe (Baby Wind God) in 2012, as a branch of Ming Hwa Yuan to promote Taiwanese Opera to the young generation.

Chen Chiao-Hsian believes that encouraging children to develop a love for the traditional culture of their homeland is paramount. As the first Taiwanese Opera children’s troupe in Taiwan, Fēng Shén Bao Bao Children’s Troupe tells stories about our culture. Compared to traditional Taiwanese Opera, their shows are easier for children to understand. With the aim of making this cultural heritage more approachable to the younger generation, they preserve certain elements of Taiwanese Opera but with a new touch of innovative audio-visual effects, martial arts, dance, and modern drama. The ultimate goal of Fēng Shén Bao Bao Children’s Troupe is to ignite a greater interest in the cultural heritage of their own land among Taiwanese children, leading to a deeper understanding.

"1624"

About 1624

"1624" is an impressive Taiwanese Opera musical set to debut during the 2024 Lantern Festival in Tainan, offering 20,000 seats. The government provided complimentary admission for all, aiming to boost the promotion of Taiwanese Opera. With free admission, a considerable number of individuals would be encouraged to attend the show.

This large-scale production is organized by the National Center for Traditional Arts and elaborately planned by the Ministry of Culture. Drawing inspiration from Taiwan's rich history, the show involves 13 performance teams from across the nation and features 21 prominent actors. Particularly, it marks the first outdoor performance where two renowned Taiwanese Opera artists, Sun Tsui-Feng and Tang Mei-Yun, collaborate to tell Taiwan's story through Taiwanese Opera and garner international acclaim.

Sun Tsui-Feng and Tang Mei-Yun
Sun Tsui-Feng and Tang Mei-Yun
with the Minister of Culture

The Ministry of Culture utilized platforms such as Facebook, Public Television Taiwanese Channel, YouTube, and others to provide comprehensive live broadcast services. In just three days, the total view count surpassed 100,000.

Customized large screen backdrop

Relatable Story

In 1624 AD, the Dutch occupied Taiwan and constructed Fort Zeelandia, putting Taiwan on the global stage for the first time. Taiwan played a crucial role in East Asia's maritime history, attracting people from various backgrounds, including Han Chinese, Europeans, and Japanese, to the Taiwan Strait, creating a diverse maritime trade network. Against the backdrop of whales and dolphins in the sea, survival becomes paramount, and alliances shift rapidly, with former allies becoming adversaries. This era is characterized by rise and fall, schemes, and deception, as heroes strive to control their destinies in a grand era of opportunities and crises.

In the show, a Game Boy serves as a narrative device that draws the audience into the story. This makes the narrative more relatable to younger audiences, successfully capturing their interest. It feels as though the audience had their VR glasses on alongside the Game Boy, transporting them through time and space back to 17th century Formosa.

Sun Tsui-Feng as Nicholas Iquan, the famous pirate

A New Form of Performance

This Taiwanese Opera production aims to attract a larger audience and present the fusion of traditional Taiwanese Opera with modern elements. This show is performed with a lot of light effects on the sail-shaped backdrop. It also features a live Chinese orchestra. The front edge of the stage spans an arc-shaped flower path, which is like the waterfront line outside a lagoon covering the orchestra and performance space. The three levels of foreground, middle shot, and long shot are rendered through images and lighting. Together with the movement of actors and dancers' costumes and props, they create a scene that belongs to "1624''.

Through this performance, Sun Tsui Feng, along with the other Taiwanese Opera actors and the production team, collaborated to promote this valuable art form to our fellow Taiwanese people and beyond. Likewise, by introducing this show, we hope to raise people’s awareness that Taiwanese Opera is not outdated anymore but rather a vibrant and dynamic art form that is poised to captivate audiences worldwide.

1624

Photo Credit:
https://www.facebook.com/mhyfans/photos?locale=zh_TW(The Ming Hua Yuan Facebook page was hacked on 3/24. Fortunately, we were able to download the images before this event occurred.)
https://www.facebook.com/mhysun?locale=zh_TW
https://www.facebook.com/nini20180708/